American Scriptures (Fall 2018)

This syllabus comes from https://lincolnmullen.com/courses/scriptures.2018/. Only the online version of this syllabus is authoritative, and it may be updated as necessary.

Course: HIST 389-001 and RELI 376-001. Fall 2018. Department of History and Art History, George Mason University. 3 credits. Meets Tuesdays and Thursdays, 12:00 p.m. to 1:15 p.m. in Innovation Hall 208.

Instructor: Lincoln Mullen <lmullen@gmu.edu>. Office: Research Hall 457. Office hours: Mondays, 11am–12pm; Tuesdays, 2pm–3pm; Thursdays, 2pm–4pm. How to book an appointment.

Course description

In this course, students will analyze texts that Americans have treated as “scripture.” Students will read texts that present themselves as scripture, such as selections from the Book of Mormon and a Holy Sacred and Divine Roll and Book (a Shaker text). They will also read texts that have attained a sort of canonicity within American culture, such as the Declaration of Independence and Martin Luther King Jr.’s “Letter from Birmingham Jail.” Students will thus gain more than a valuable familiarity with a variety of American religious traditions. They will also reflect on the way that, even in a digital age, texts continue to shape American identity. Finally, the course invites students to reflect on the meaning and function of “scripture.” Although many Americans reflexively define scripture as “the Word of God” or think of the Bible or the Qu’ran, the scholar Wilfred Cantwell Smith cautions that “no text is a scripture in itself and as such. People—a given community—make a text into scripture, or keep it scripture.” Along those lines, Americans, and different groups of Americans, have granted such authority to a wide variety of texts.

Learning goals

In this course you will

Essential information

You are always welcome to visit me during my office hours. While you can drop in, I strongly recommend that you book an appointment with this link. If the scheduled times don’t work for you, email me and we will find another time. Whether you need help in the class or just want to talk more about it, get in touch sooner rather than later.

The following textbooks are required and are available through the bookstore and elsewhere:

Other readings will be available online, on Blackboard, or through the GMU libraries. It wouldn’t hurt to get a copy of the Christian or Hebrew Bible—any translation or edition will do.

On studying religion in the classroom

A few words of advice from a historian of American religion (modified from Tona Hangen):

  1. Religious rituals, acts, beliefs, and doctrines make sense in context. If something doesn’t make sense to you, then you need more context. Don’t think “how could they believe that?” Instead seek understanding: “Why was this believable to them? What work did this belief or ritual accomplish?” At least in the classroom, no religious concept should be dismissed as weird,crazy, or abnormal. There is no “normal.” You can certainly have your own opinions and personal beliefs about religion, but those don’t belong in our classroom discussion.

  2. As much as is possible, approach your scholarship as a historian, rather than as a believer or a skeptic. While religious doctrines will be discussed, it is never with the intent to prove a religion right or wrong. Please do not use our class as a platform for either proselytizing your faith to convert others, or debunking the faith of others to lessen their commitment. Our class is going to be made up of a variety of faiths and degrees of religious involvement which we should all respect.

  3. History provides an opportunity to expand our ability to empathize with those not like ourselves. In fact, the past (and present, for that matter) is a very strange place, populated with people who do not share many of your values and ideas about the world. Developing the ability to at least understand why those values and ideas may be compelling is a great skill for surviving and thriving in a diverse world.

Assignments

This class will have two essential activities. The first is reading texts and then discussing them and writing about them. Most days we will read primary source texts which have been regarded as scripture by one group or another. While I will give lectures to set the context, much of our class time will be spent discussing these texts. You will also be asked to write several short analytical essays about these texts. I will often bring additional sources to class for us to read together in class.

The second main activity for this class will be creating a popup museum and accompanying online exhibit about scriptures in America. Beginning after the first few weeks of the semester, we will work together as a class to define a theme for our museum. Then we will find texts, create facsimiles of artifacts, and write explanatory text. We will publish our exhibit online. To prepare for this assignment, you will visit the Museum of the Bible in Washington, DC, and to study it critically as a “text.”

Reading quizzes and class participation (15 points): On any given class I may give a brief quiz over the assigned reading, which will pose no difficulty if you have read thoroughly. I will also give you a few participation assignments to prompt class discussion (some of these are listed on the syllabus already). Participation in class discussions is vital. I will assign a grade for this section at the end of the semester.

Short response papers (4 papers × 10 points/paper = 40 points): You will be asked to write four very short papers responding to some texts that we have read. There are six possible papers throughout the semester; the prompts and requirements are listed in the schedule below. You must write the one about the Museum of the Bible, but you can pick which of the other three you want to write. These are due at the start of class.

Museum assignment (45 total points): Our main work for the course will be creating the popup museum. Parts of this work will be due throughout the semester. Your grade for this assignment will be determined by the text you edit or facsimile artifacts you create (15 points), the exhibit text that you write (15 points), the bibliography you compile (5 points), and your contributions to the larger class exhibit (10 points). You will receive full instructions and due dates for this assignment later in the semester, as we develop our ideas for what the exhibit should be about.

Guidelines for the museum assignment

Final grades will be calculated using the typical percentage-based grading scale (A = 93–100, A- = 90–92, B+ = 88–89, B = 83–87, B- = 80–82, … F = 0–59).

Schedule

Tuesday, August 28: Introduction

In class: Abraham Lincoln, Second Inaugural Address.

In class: What do different Bibles contain?

Thursday, August 30: What is scripture?

Read:

Tuesday, September 4: Exodus

Participation assignment: Bring a sacred text of your choice. Be prepared to argue why it is a sacred text and what distinguishes it from ordinary texts.

Read:

Thursday, September 6: Exodus

Read:

Tuesday, September 11: Texts of the American founding

Read:

Thursday, September 13: Texts of the American founding

Read:

Tuesday, September 18: Shakers and Adventists

Read:

Thursday, September 20: Latter-day Saints

Read:

Tuesday, September 25: Latter-day Saints

Read:

Short essay 1: Three double-spaced pages. Compare selections from the Book of Mormon, Joseph Smith’s History, and Doctrine and Covenants 89. These texts all function as authoritative “scripture” for several American religious groups, yet they are very different sorts of texts. Consider differences in genre, rhetoric, literary devices, and setting. Then, using these texts as your only sources, answer this question: What is scripture?

Thursday, September 27: No class

Class does not meet this day. Take this time to visit the Museum of the Bible in Washington, DC. You will have to reserve tickets, but you are not obligated to make a donation when doing so. Visit “The Bible in America” exhibit and one other exhibit of your choice. Take a selfie!

Tuesday, October 2: Museum of the Bible

Short essay 2 (required): Three double-spaced pages. Consider the Museum of the Bible not as a secondary source but as a primary source. What narrative is it trying to tell? What evidence and texts does it use in support? To whom is this narrative addressed? Answer these questions in an essay which explicates the Museum of the Bible as a text.

Read at least four of the following:

Thursday, October 4: Texts of the Civil War

Read:

Tuesday, October 9: No class

No class for GMU fall break.

Thursday, October 11: Race in the literary canon

Museum assignment: Choose a text or artifact, and write one paragraph about why it is a good choice.

Read:

Tuesday, October 16: Spiritualism and Christian Science

Read:

Thursday, October 18: Metaphysical religion

Read:

Tuesday, October 23: The Qu’ran in America

Short essay 3: Three double-spaced pages. What circumstances shaped Omar ibn Said’s conclusion? How does he make use of both the Qur’an and the Bible in his life story?

Read:

Thursday, October 25: The Qu’ran in America

Read:

Tuesday, October 30: Women’s interpretation of the Bible

Short essay 4: Three double-spaced pages. What arguments do Stanton and Bushnell advance about women and the Bible? What strategies do they employ for reading the text and for understanding it as authoritative?

Read:

Thursday, November 1: Texts as material objects

Read:

Tuesday, November 6: Bible translation

Short essay 5: Three double-spaced pages. Pick two verses from the Christian Bible that relate to one another. Using http://americaspublicbible.org, trace the trends in how these verses were quoted over time. Then follow the links to Chronicling America to read the context of those quotations in newspapers. How were those verses used? Were used differently by different people? How did their interpretations change over time? Include footnotes to and quotations from the newspapers.

Thursday, November 8: The Jewish Bible

Museum exhibit: Bibliography about your chosen text or exhibit, and outline of items/texts/visuals and exhibit text.

Read:

Tuesday, November 13: Civil rights

Read:

Thursday, November 15: Civil rights

Short essay 6: Three double-spaced pages. Compare the rhetoric and arguments made in King’s “Letter” and Malcolm X’s “The Ballot or the Bullet.” What are the settings for these two texts? What circumstances explain the differences in their arguments?

Read:

Tuesday, November 20: Patriotism

Read:

Thursday, November 22: No class

No class for GMU Thanksgiving recess.

Tuesday, November 27: Conservatism vs. liberalism

Read:

Thursday, November 29

Museum exhibit: Complete draft of exhibit text.

In class: Work on exhibit.

Tuesday, December 4: Songs, Hymns, and Spiritual Songs

Participation assignment: bring a sacred song or hymn to class.

Read:

Thursday, December 6: Conclusion

Museum exhibit: Revised draft of contributions to exhibit and the museum.

In class: Work on exhibit.

Fine print

This syllabus may be updated online as necessary. The online version of this syllabus is the only authoritative version.

You are expected to participate actively in each class session. All devices are to be used only for course work.

Students must satisfactorily complete all assignments (including participation assignments) in order to pass this course. You are expected to attend each class without exception. Grades will be reduced due to repeated absences. Complete all the readings before the start of each class. No unexcused late work will be accepted. You must request any extensions before assignments are due, and excused late work will receive a one letter grade penalty unless otherwise specified. No work will be accepted after the last day of class unless specifically assigned. I will discuss grades only in person during office hours.

Unless otherwise specified, you should work on your own for assignments. If you do receive help or cooperate on an assignment, all such work should be acknowledged explicitly. In general, every source that you use should be acknowledged in a note or bibliography entry. Sources must be adequately paraphrased, meaning (at a minimum) that word choice, sentence and paragraph structure, and the order of ideas must be made your own. Whenever you use others’ exact words, you must mark them as such by quotation marks or block quotations with accompanying citations.

See the George Mason University catalog for general policies, as well as the university statement on diversity.

If you are a student with a disability and you need academic accommodations, please see me and contact the Office of Disability Resources at 703.993.2474. All academic accommodations must be arranged through that office.

George Mason University has an Honor Code, which requires all members of this community to maintain the highest standards of academic honesty and integrity. Cheating, plagiarism, lying, and stealing are all prohibited. All violations of the Honor Code will be reported to the Honor Committee.

Students are responsible for verifying their enrollment in this class. Schedule adjustments should be made by the deadlines published in the Schedule of Classes. (Deadlines each semester are published in the Schedule of Classes available from the Registrar’s website.) The last day to add classes is September 4. The last day to drop classes is September 17. After the last day to drop a class, withdrawing from this class requires the approval of the dean and is only allowed for nonacademic reasons. Undergraduate students may choose to exercise a selective withdrawal. See the Schedule of Classes for selective withdrawal procedures.

“Render therefore to all their dues”: My colleague John Turner put together an early draft of this syllabus. The idea for a popup museum of religion came from Richard Newton.